The headphone outputs of the Skype computer is connected to inputs three and four. Let’s say our hypothetical show has two in-studio guests on channels one and two, each using a Shure SM7B microphone. The mixer offers four inserts that can be used as direct outputs for recording. To continue with the example, we’ll choose a Mackie ProFX12v2 that can handle two in-house guests on microphones, as well as one Skype caller and one audio player for sound effects. If separate tracks for editing and mixing are desired, it should also have direct outputs on each track. We’ll also need a mixer with at least one auxiliary output for creating a separate mix for the remote guest. For this example, we’ll use a Focusrite Scarlett 18i8 USB 2.0 audio interface for the recording. To set this up, use one computer for running Skype and a second computer with an audio interface for recording. To avoid the problem of the Skype guest hearing an echo of him or herself due to latency, it’s necessary to send them the entire mix, “minus” the Skype channel.
However, it allows users to mix a show in real time, with in-studio and remote guests and offers the ability to patch in external audio sources. It requires more more gear and a higher level of technical know-how than just using the apps. When finished, it saves the media file.Īnother method for recording Skype calls is called mix-minus. Once the user hits record for a Skype interview, the app takes over. It features picture-in-picture and side-by-side video and can record each of the four media streams separately (two video, two audio) or as one combined video. For the PC, SuperTintin ($29.95) is often recommended.